Titles: 
          1.  My Only True Friend (Gregg Allman-Scott Sharrard) - 6:16 
          2. Once I  Was (Tim Buckley-Larry Beckett) - 3:56 
          3. Going Going Gone (Bob  Dylan) - 4:29 
          4. Black Muddy River (Jerome J. Garcia-Robert C.  Hunter) - 4:37 
          5. I Love the Life I Live (Willie Dixon) - 3:31 
          6.  Willin' (Lowell George) - 3:36 
          7. Blind Bats and Swamp Rats (Jack  Avery) - 4:32 
          8. Out of Left Field (Dewey Lindon Oldham Jr.-Dan  Penn) - 4:09 
          9. Love Like Kerosene (Scott Sharrard) - 4:17 
          10.  Song for Adam featuring Jackson Browne (Jackson Browne) - 6:21 
         Bonus  Tracks : 
          11.  I Love The Life I Live (Live From The Clay Center, Charleston, West  Virginia, May 6, 2016) - 5:24 
          12. Love Like Kerosene (Live From  The Tower Theatre, Philadelphia, Pennsylvania, April 1, 2016) - 7:10 
        Here  is finally the last album of Gregg Allman. And here, the word  « last » makes sense. Indeed, Gregg was putting the  finishing touches to this work when death prevailed. This posthumous  release brings several findings. First,  it is extremely difficult to objectively chronicle the disc of a  recently deceased artist whom we admired. Secondly, Gregg seemed to  be moving towards cooler music than his original style developed with  the Allman Brothers Band. This « Southern Blood » is even  quieter than « Low Country Blues » released in 2011.  Third, Gregg did not compose much and opted for a majority of covers.  Fourth, the talented guitarist Scott Sharrard is rather discreet.  Fifth, an overabundance of horns slightly harms some tunes.  
            Let's  get into the heart of the matter. The first title, « My only  true friend » (composed by Gregg and Scott Sharrard), takes us  in a familiar land. This melodic Southern ballad sounds typical  Allman with a guitar theme at the third, a beautiful Scott’s solo  and a horns-finished finale. Nice work! « Once I was » (from Tim Buckley) comes right behind. This melancholy ballad has a  horn background a bit superfluous and is deprived of a guitar solo.  Pity ! Bob Dylan's « Going going gone » is taken up in an  almost acoustic version with a dobro and a nice slide guitar finale  from Scott Sharrard. Only black spot: unwanted horns spoil the tune. We  regret the absence of six-string solo on the beautiful ballad « Black  muddy river » of the late Jerry Garcia. Similarly, the blues  « I love the life I live » (from Willie Dixon) offers a  sax solo but we would have still preferred a guitar intervention  instead. On the other hand, the country ballad « Willin’ »  (by the late Lowell George) makes its effect with a steel guitar and  a piano solo. It is certainly the best title of the album. We spend a  good time with the slow country/soul ballad « Out of left  field » which unfortunately does not have the right to his  guitar solo. Gregg's  so distinctive voice fits perfectly, but the horns could be  dispensable. It must be admitted that the version of Hank Williams  Junior (released in 1993) is clearly superior. « Love like  kerosene » (a Southern-style jump blues by Scott Sharrard)  intensifies with a piano solo and a superb show of Scott. The  album ends with a beautiful Jackson Browne song, « Song for  Adam ». Incidentally Jackson has risen his voice on this tune.  The idea is excellent but, except for a few phrases distilled here  and there, the guitar shines by its absence.  
          Here  ! After careful listening, we should now formulate a lucid and  impartial opinion. Not easy ! With « Southern blood »,  Gregg Allman left us a very good album in heritage but not  necessarily his best. Far from the blues of the Allman Brothers Band  or the atmosphere of the early Gregg Allman Band, this work is  nonetheless endearing. We  must face the facts. Gregg knew his deadline and knew his time was  running out. He put all his courage and determination into recording  « Southern blood », with the state of mind of an aged and  sick man, attracted by softer music and arrangements. Perhaps he  wanted to show us the other side of Southern musical influences. 
           
        The  other side ... Now, Gregg knows it well. 
         Olivier Aubry  |